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Home » History » Free Epub "I Heard You Paint Houses": Frank "The Irishman" Sheeran and the Inside Story of the Mafia, the Teamsters, and the Last Ride of Jimmy Hoffa

Free Epub "I Heard You Paint Houses": Frank "The Irishman" Sheeran and the Inside Story of the Mafia, the Teamsters, and the Last Ride of Jimmy Hoffa

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Sunday, December 16, 2012

"I Heard You Paint Houses": Frank "The Irishman" Sheeran and the Inside Story of the Mafia, the Teamsters, and the Last Ride of Jimmy Hoffa

Author: Visit Amazon's Charles Brandt Page | Language: English | ISBN: 1586420895 | Format: EPUB

"I Heard You Paint Houses": Frank "The Irishman" Sheeran and the Inside Story of the Mafia, the Teamsters, and the Last Ride of Jimmy Hoffa Description

Review

Please visit WWW.HOFFASOLVED.COM

"Pre-production of the movie 'The Irishman' is moving ahead. That's the name currently given to the film based on Charles Brandt's book, 'I Heard You Paint Houses.' It's a compelling, can't-put-down account of the life of Philadelphia-area mobster Frank Sheeran." —Delaware News Journal
 

“Is Sheeran believable? Very . . . and ‘I Heard You Paint Houses’ is a very enjoyable book.” —Trial Magazine

 

“A page-turning account of one man’s descent into the mob.” —Delaware News Journal

 

“Sheeran’s confession that he killed Hoffa in the manner described in the book is supported by the forensic evidence, is entirely credible, and solves the Hoffa mystery.” – Michael Baden, M.D., former Chief Medical Examiner of the City of New York

 

“I’m fully convinced – now – that Sheeran was in fact the man who did the deed. And I’m impressed, too, by the book’s readability and by its factual accuracy in all areas on which I’m qualified to pass judgment. Charles Brandt has solved the Hoffa mystery.” —Professor Arthur Sloane, author of Hoffa

 

“One of Sheeran’s virtues was his gift as a storyteller; one of his flaws was his tendency to murder, in mobster jargon, ‘to paint houses.’ . . . Sheeran acknowledged that he was the one who killed the Teamsters boss. . . . On July 30, 1975, Hoffa disappeared. Sheeran explains how he did it, in prose reminiscent of the best gangster films.” –Associated Press

 

“Told with such economy and chilling force as to make The Sopranos suddenly seem overwrought and theatrical.” —New York Daily News

 

“Brandt’s book gives new meaning to the term ‘guilty pleasure.’” —Bryan Burrough in the New York Times Book Review

 

“A terrific read.” —Kansas City Star

 

From the Inside Flap

HEARD YOU PAINT HOUSES is a fascinating account of a dark side of American history. The book's title comes from the first words Jimmy Hoffa ever spoke to Frank "the Irishman" Sheeran. To paint a house is to kill a man. The paint is the blood that splatters on the walls and floors.

Frank Sheeran lived a long, violent, passionate life. As a boy he took on older kids in bar fights so his dad could win free beer. During World War II he was a highly decorated infantryman with 411 days of active combat duty and a willingness to follow orders. "When an officer would tell you to take a couple of German prisoners back behind the line and for you to ‘hurry back,' you did what you had to do." He became a hustler and hit man, working for legendary crime boss Russell Bufalino and eventually becoming one of only two non-Italians on the FBI's famous La Cosa Nostra list. He was also a truck driver who was made head of the Teamsters local in Wilmington, Delaware, by his good friend Jimmy Hoffa. When Hoffa disappeared on July 30, 1975, Sheeran became a leading suspect, and every serious study of the Hoffa disappearance alleges that Sheeran was there.

For the first time the Irishman tells all — a lifetime of payoffs (including hand-delivering bags of cash to Nixon's attorney general John Mitchell) and manipulation (supporting Joe Biden's election to the Senate with a Teamster action) — for the book that would become his deathbed confession. He died on December 14, 2003.

Sheeran also provides shocking new information on notorious mob hits: Joseph "Crazy Joey" Gallo — blown away as he celebrated his forty-third birthday in New York's Little Italy; Salvatore "Sally Bugs" Briguglio — long suspected of being a player in the plot to kill Hoffa. And offers new insights to the crusading of Robert Kennedy and the death of John F. Kennedy.

This historic account is based on interviews of Frank Sheeran by Charles Brandt, who researched, cross-checked, and illuminated what Sheeran told him and turned it all into a gripping narrative that is sure to become an instant true crime classic.
--This text refers to an out of print or unavailable edition of this title.
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  • Product Details
  • Table of Contents
  • Reviews
  • Paperback: 309 pages
  • Publisher: Steerforth Press (May 24, 2005)
  • Language: English
  • ISBN-10: 1586420895
  • ISBN-13: 978-1586420895
  • Product Dimensions: 8.8 x 6 x 0.9 inches
  • Shipping Weight: 1 pounds (View shipping rates and policies)
Charles Brandt has proved twice over the last twenty years that he is a pretty good author. This non-fiction work (the title refers to the code Mafiosi used to inquire whether someone did hits -- the blood spatter being the paint) detailing the life of Frank Sheeran and his buddy Jimmy Hoffa is first rate.

Brandt combines passages of Sheeran's own words with the author's background and fill-in's to tie together an impressive mob memoir. Frank Sheeran, besides hailing for a time from my own Wilmington, Delaware, was one vicious and disciplined mobster. This is his story. His hardscrabble life (his father would make him fight people in bars as a teen for beer -- the beer going to his father, not Frank) perhaps made a life a amorality unsurprising. What is amazing is that this recount by an old man facing death is not a repentance for a life lived horribly wrong, but a simple detailing of the events of that life. The banality of Sheeran describing his career -- hits, butchering, beatings told the way an accountant would detail audits or financial statement presentations -- is fascinating and speaks to a man wholly absorbed in doing his part for organized crime and the Teamsters.

Hoffa is presented as an interesting figure; one who starts using the mob for the benefit of "his" teamsters but makes the tragic mistake of believing he is too big to be bound by mob rules. His story and will to take over what was once the most powerful union in America is a remarkable tale in its own right and told interestingly in this book.

Sheeran idolizes Hoffa. Then he kills him (according to Sheeran).
Enough law enforcement officials have given credit to the veracity of Sheeran's account and it certainly rang true to me as I read it. There are no particularly startling revelations here, at least as regards the Hoffa matter. Those who orchestrated the hit are the same people who were always suspect- Bufalino, Provenzano, etc. However, at the very least, we can now dispense with some of the more fanciful notions that have evolved over the years- Hoffa was buried in a NJ dump, Hoffa rests in the end zone of Giants stadium, etc. I was surprised to read about Sheeran's claiming credit for the Joe Gallo hit in NY in 1972. As a frequent patron of the old Umberto's restaurant on Mulberry Street where the colorful Gallo met his end (you could still see the bullet holes that dispatched Gallo for years afterward and the restaurant became something of a tourist attraction), I always credited the claim of Joseph Luparelli that 3 gunmen were involved in the hit. The only real problem I had with the book was that, despite all his forthcoming self-analysis and revelatory details, I ended the narrative with no real sense beyond the superficial of what made Sheeran tick. Impoverished background? The brutality of his combat experiences? How many people have gone through all that and more without becoming underworld killers? Perhaps it's inevitable that someone like Sheeran is destined to remain an enigma. Or perhaps the prosaic reality is that Frank Sheeran was an essentially shallow, empty man whose only true value in the world in which he moved was the brutality and violence of which he was so obviously capable of performing without much notice or preparation. It would have been interesting to hear from his alienated, embittered daughters to get a glimpse of the man's personality from another vantage point.

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